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I also added the f-stop for each lens and its minimum focus in meters and feet. You know, like a cine lens! These last two are challenging to adapt to EOS because of their. Theres a lot of discussion whether the 135mm f/2.0 has a clear advantage over the f/2.8, especially when you take into account the price difference. - Contax was created by Zeiss subsidiary Zeiss Ikon. My attempt to be as thorough as possible! I was just ahead of the game, so it wasnt necessary on my case. You can see our informal results. Would I be crazy to say I kinda prefer my 85mm f2.8 to my 85mm f1.4. The Contax I is a high-end 35mm rangefinder camera made by Zeiss Ikon to compete with Leica models. Thoughts? The issue that came up from was the stickers were having a hard time sticking to the material of the lens caps and were peeling off on their own. MM's from 1984 to 2005. As mentioned before, the 50mm F1.7 is no slouch and it sure isn't! One thing I want to mention here is that I have found the new 50/1.4 ZE and ZF's to be MUCH softer wide open than my Contax 50/1.4. . They focus the right way, have an aperture ring, and the focus rotation on many lenses reaches 180 degrees. In my experience, the gears never fit on the first try. When designing your focus gears, keep the number of teeth constant for all the lenses. For me the 35mm F/1.4 has become a go to lens while working as a DP. Really. I remember someone doing a test a when the epic first came with stills lenses and noticed it too. If I have a motor on the iris, itll have to be adjusted every time the lens is swapped. Im a fan of DIY, so I decided to install the mounts by myself. You have to admit they look sexy. Not too sure but it seems likely. Heres the full line of glass. So I sand the inside down a bit and try again. There are MMG lenses out there I was weary of that for quite a while, since its not mentioned clearly anywhere. They get quite slow in the wides (the 18 is an F4, the 15 a 3.5). If youre not a DIY spirited person or you dont like getting things from a million different places -, I worked with Ron at SIMMOD so he can provide caps with stickers already on them. The Contax dont look vintage to me, but they also dont look modern. Sometimes you have to go with what you can get your hands on. Heres a very interesting article by Edward T. that summarizes tech papers published on these designs and their differences, pros and cons. I had a feeling Nick was up to making a guide like this. They cover full frame, are super easy to adapt to many other mounts and never lose their value. Take or leave it. I needed a proper case! send me payment method & how many days it will take? Mirrorless Camera of the Year 2022 & Other Camera Candidates, Adobe Firefly for Video Announced Bringing Generative AI to Creative Cloud, CineD NAB 2023 Best of Show Awards go to DJI, frame.io, FUJIFILM, LumenArc and ZHIYUN, CineD at NAB 2023 - Visit our Booth, Win Prizes. All times are GMT-8. They are also a little sloppy on the mount, which can be alarming. I'm only saying that because the guys on the photography forums use these charts to compare numbers with other lenses they all refer to that page as the 'source'. The 15/3.5 took the cake though. I managed to get a bunch of black C/Y adapters, step up rings, and some lens gears from eBay and decently cobbled together a set. You could use it an any focal length and not really have any compromise relative the prime lenses of the time. Finally found the old MTF charts for each of the Zeiss Contax lenses. AE lenses also show ninja-star bokeh when stopped down, which is a major turnoff for some folks. Contax Zeiss lenses are the gems for sharp yet vintage glass. My favorite lens switched to the 85/1.4 after that, though. I don't want to feed your addiction or be your pusher or cause a break-up in your marriage or relationship but KEH has a "like new" 21/2.8 Distagon for $1,950.00. Are often more traditional designs. These I ordered from MOO, because they offered me more variety at a much lower price. The Fujifilm X-T5 is the company's latest classically-styled APS-C mirrorless camera. Show. We're Noct messing around with this review. Contax Zeiss Survival Guide - REDUSER.net Evin Grant's comprehensive lens database Login or Sign Up Logging in. (Heres where I beleive the Leica Rs have a clear advantage, their 19mm is a 2.8which is pretty amazing). At this point the price argument was adding a lot of weight. The questions get dizzying. are considered to be the best removable adapters ($90). As many of you knowI have been a strong proponent of Contax Glass on REDUSER for a while now. So all you do is get a Cine Ring with the rear thread of your lens and thats gonna make it standard! The 50 should be among the easiest to get right because the optical path is among the simplest. This was a game changer. The Standards were w/out a doubt the sharpest wide open. Zeiss Ikon was also split apart into Eastern and Western divisions, but these two subsidiaries kept working togetherand Contax rangefinder cameras and lenses continued to be made on both sides of the wall. May be one of the sharpest Contax primes ever made. Lastly, just for curiositys sake, Carl Zeiss has a specific nomenclature for his lens designs and you can see some of them written on the ID ring of these Contax Zeiss lenses. Zeiss AE lens information brochure, "The Finest Optics by Zeiss", The bokeh behaves differently than with Sonnars and Planars and I find these can give the image an interesting look. All I ever had so far was a Canon backpack and that is not a safe way to transport this grade of gear everywhere. After aperture was made smooth and clickless I still had my 3d printer hanging around, so I printed aperture gears as well. Contax Zeiss Survival Guide. Contax RTS glass can easily be adapted to EOS. ZF/ZEs only go as far as 135mm. I shipped all of them to SIMMOD for declicking and a quick checkup. Zeiss was making Hasselblad lenses for Medium Format. So I kept using an adapter on that one (the best adapter I had). I reached out to David at Hardcases.ca and got both a Nanuk 918 with padded dividers and a Nanuk 904 with foam to fit these babies. If you wanna follow this path, theres no way to dodge reading the Survival Guide. Building this set was a great experience throughout. The Soviets were good enough for my own projects, but I needed something more reliable on this one. It gains the 40MP sensor and AF system from the X-H2 but in a body with a more stills-focused slant. Besides Leica Rs, also give Nikkors (obviously), Canon FDs, and Minolta Rokkors a good look. In terms of a look, weve shot with both and there is a clear difference to me. Leica Rs are much prettier. That meant getting a few more lenses and upgrading various aspects I had neglected so far. It looked neat, but from my experiences as 2nd Assistant Camera, I was constantly being asked how fast so-and-so lens was, or whats its minimum focus. I'm not too sure where they got their findings, but apparently this was a series of tests possibly published on Zeiss's website. . Check it out: Copyright 2007-2022. The last thing I did was add step rings to normalize all their fronts at 58mm, to make my life easier when swapping NDs and other filters or anamorphic adapters in my case. If you're reeeaaaally on a budget and don't mind a very low contrast look, Zeiss Jena's are a guilty pleasure of mine. Not saying the 135/2 isnt worth it the investment, its just much heavier and harder to carry as a walk-around lens. (Nick hope you don't mind my piggy-back!). Yes, its one step slower than the its siblings, but it definitely crushes them with razor sharp focus and a beautiful transition into bokeh. Nick P. - lenses like your 35/2.8 and 50/1.4 with the last (largest) number on the aperture ring in green are MM lensessince made in Japan, they are called MMJs. The original CONTAX RTS was introduced in ,highly advanced electronic SLR system camera developed by mutual cooperation of Carl Zeiss, West Germany, and Yashica, Japan. Well done mate. That's what I'm thinking, though no official sources have been cited on the tests, it may have been pulled from articles or done independently, not sure. Also ZF/ZE's tend to. Lucky for me my 50 and 85/1.4 were already MMJ. The last decision I had to make was between the 18mm f/4 and the 15mm f/3.5. The wides are slow. Pm for pics. length (call Peter at RP lens, he can help), but if you can get them on your RED, they are also fantastic budget options. The Hollywood is indeed a star and the image that comes out of it is much more appealing than the 28/2.8. The 60/2.8 AE can do 1:1 magnification, while the MM can only reach 1:2. Nothing is free. ALL of my MMs do NOT have the Ninja-Star, so Im going to say this is a Maxim. D) They are very easy to adapt to EOS mount. My custom made front caps with focal length, f-stop and minimum focus distance. Contax/Yashica Lenses - Which are the best? - FM Forums I won't bore you with the history lesson, but Pentax worked with Zeiss when the Contax series was developed and they came out with a suspiciously similar multi-coated lens at the same time. The Hasselblad we threw up also seemed to have an uncannily similar T* coating too. The stills guys LOVE IT. I dont want to get into a German war over which is better, Leica R or Contax. At this point the price argument was adding a lot of weight. It was not a problem as a starter set. They are much more closer to a Super/Standard speed look then the modern zeiss glass including the Cp2s. Zeiss AE lens information I found a link to this awesome Zeiss Contax lens brochure, dated October 1975 (12 MB). The rubber grip on the focus ring of the lenses is awesome because it prevents the gears from sliding, but its also a pain because it makes the fitting a lot harder. Be patient, use heat and sandpaper, and youll get there. Canon EOS Rebel T6i (EOS 750D / Kiss X8i), Shedding some light on the sources of noise, Contax Yashica lenses - German vs Japanese, Re: Contax Yashica lenses - German vs Japanese, Sigma 23mm F1.4 DC DN Contemporary sample gallery, Sigma 50mm F2 DG DN Contemporary sample gallery, Sigma 17mm F4 DG Dn Contemporary Sample Gallery. AEs and MMs all color match. Those ocasional shots where you need to SNAP from one extreme focal length to another. Optically, Ive read numerous reports that show BOTH lines are very sharp, but frequently the Contax equivalent is deemed a tad sharper (stopped down). I like to add 0.3mm to the measurement to give me a little wiggle room after printing. If you dont want to deal with that, hunt for MMs. In my experience, ALL AEs have the Ninja-Star. Theyre killer tools for video, but in order to achieve maximum performance, theres a number of steps and procedures to tackle. Used it today on my 5D to keep things lightweight. By giving you that extra latitude in the blacks and highlights, they were letting photographers dial in how much black and contrast they wanted later in the dark roomwhen they were printing. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best. Yes, its one step slower than the its siblings, but it definitely crushes them with razor sharp focus and a beautiful transition into bokeh. AE vs MM? You have to keep wiggling them slowly, side by side, until they are in place. These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. The tab and the last stop in green that mark MM lenses. Unfortunately, it predates the Distagon 28/2.8. Eastern Zeiss instead consolidated all their smaller name brands into PENTACON. Filter. But Zeiss was so precious about these lenses that some of them were only made in Japan and others in Germany. We noticed this specifically on a shoot where we mixed Leica Rs and Contaxs, and the Contaxs def gave us about a stop extra in latitude. Fluorescent paint to make markings easier to spot in the dark, by Moritz Schierenbeck. All times are GMT-8. Contax Zeiss. Renting Komodo ST, Helium, Gemini, Alexa Mini, Phantom VEO4K, break down into purple splotches when they flare, http://www.ebay.de/itm/Contax-Carl-Z#ht_500wt_1156, dittok One Stop RAW Visual Production Service, If this is your first visit, be sure to check out the. Contax Zeiss Survival Guide. Could it be that yours was bumped once in it's lifetime, if it's not the adapter? If you want something ready to use from the get-go, Id say this is not for you. Like ZF/ZEs, they have fantastic barrel rotations (often 180 degrees or more). Im gonna stop saying these lenses are sharp, because at this point its just standard! Though alot of the photography forum guys refer to those tests for 'official' MTF results they're a lot easier to read than Zeiss's graphs and they're all in one place. I took this question to Instagram again and got really good arguments for both sides. Out of curiousity, what is the purpose of having both the 35 f2.8 and the 35-70? Those were the days. Domenic, you are selling your 100 Macro 2.8 right? Their disadvantages are that they don't have matching T stops (hey, theyre still lenses!). I always took the 135 with me and some of my favorite photos come from that time. Posts; Latest Activity; Photos . The two specialty lenses the 15/3.5 super wide and 60/2.8 macro go on the smaller 904 case. Favorite Zeiss Lens? : GH5 - Reddit PDF ZEISS Mutar 2x T* On the 918 I keep the main six lenses of the set plus variable NDs and other filters. The Carl Zeiss Distagon 2.8/28 T* enjoys a very good reputation and it is a bit more expensive at around 250. The Contax Zeiss version fetches $800 on eBay but there's a $60 wolf in sheep's clothing called the Pentax PK 28mm F2.0 which has a fascinating story behind . I was not impressed, so I decided to make my own. Its also quite similar to the modern 15/2.8 ZF/ZE offered by Zeiss, just a 2/3 stops slower. You NEVER SEE it wide open, because the blades arent engaged. Check out his own blog here and Patreon here. Enjoy! So I figured I would write up a little CONTAX SURVIVAL GUIDE that tries to answer them all at once Contax Zeiss should be on your radar for a couple of reasons.